Comments on: Artist of the Day – Joan Miró

By: elizabeth.aram

elizabeth.aram — Thu, 18 Oct 2012 00:55:46 +0000

I think we have difficulty understanding abstract expressionism or surrealism for the same reason we minimize the experience of negative feelings or focus on facts rather than emotions. Essentially, we are afraid to let go of the control we have in the world, to take risks, or be different. What do you think?

By: GRAVURE AU CARBORUNDUM | Técnicas de grabado

GRAVURE AU CARBORUNDUM | Técnicas de grabado — Tue, 26 Jun 2012 18:31:16 +0000

[...] carborundum en lokuradevida; Joan Miró, aguafuerte, aguatinta y carborundum Polyphème, 1968 en tothewire.wordpress.com ] Be Sociable, Share! Tweet This entry was posted in Bibliografía y documentación, [...]

By: GRAVURE AU CARBORUNDUM « Técnicas de Grabado

GRAVURE AU CARBORUNDUM « Técnicas de Grabado — Sun, 13 May 2012 10:23:20 +0000

[...] carborundum en lokuradevida; Joan Miró, aguafuerte, aguatinta y carborundum Polyphème, 1968 en tothewire.wordpress.com ] Share this:TwitterFacebookMe gusta:Me gustaSé el primero en decir que te gusta esta post. [...]

By: musicsbox

musicsbox — Tue, 03 Apr 2012 17:32:43 +0000

musicsbox…

[...]Artist of the Day – Joan Miró « A Different Kind of Blog[...]…

By: why competition is good

why competition is good — Mon, 07 Nov 2011 09:46:29 +0000

why competition is good…

[...]Artist of the Day – Joan Miró « A Different Kind of Blog[...]…

By: roommaZem

roommaZem — Sun, 22 May 2011 18:46:59 +0000

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By: Heath

Heath — Sat, 14 May 2011 17:41:13 +0000

The Canadian painter, Ron Bloore, said, “An artist is his region.” He also said that the Renaissance geometric illusionism was a cul-de-sac, a proscenium that led western artists merely to imitate the visual reality. I think Miro would have agreed. The visual world is a disparate chaos of impressions that the artist brings into a ‘desegno interno’ as Zaccaro would have said. Bloore thought that Miro was the true artist, the modernist, who sought the significant, spoke only in a visual language and could only be understood visually. All the wordsmiths, curators, manifesto writers and journalists reliant on artist’s statements could not even imagine the dialogue between the artist and the viewer.

By: archir23

archir23 — Thu, 24 Mar 2011 17:54:24 +0000

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